In the last guide you’ve read how to record drums.
五福彩票安卓版下载we are going to do the same thing with electric & acoustic guitars.
五福彩票安卓版下载if you thought it was that simple: plug in the microphone and pop it in front of an amp, you are dead wrong.
五福彩票安卓版下载recording an electronic guitar will be the same anywhere, it has the same universal principles.
if you don’t get the recording part right from the first step, it won’t be any better in .
there are enough things you forget when you’re taping, a heavy metal part or a simple rhythm.
Let’s get ready.
Step 1. A Good Start when Recording Guitars
.. Is half the battle, but we already knew that right?
yes, i can hear y’all think.
make sure you have everything planned out neatly.
五福彩票安卓版下载so before you even think about pushing the red recording knob, there are a few things i have to point out.
Of course: You need to invite a good guitar player. (like )
what is a good guitar player?
it’s someone who can play really tight.
五福彩票安卓版下载a guitar player that can’t play that tight might not stand out in a band, but in a studio he will definitely stand out.
五福彩票安卓版下载because, you will go through a lot of frustration.
so save yourself all that trouble and invite somebody who invested in those extra guitar lessons.
i mean someone who fits the description of a good player.
Step 2. The Gear
get all your gear ready for the musician in question.
in this case, it’s the guitar player.
the last thing you want to happen is the loss of signal.
五福彩票安卓版下载so invest in some good cables to avoid crackle or disturbance in your recording.
don’t go out buying a golden plugged cable for $1000.- just get a decent one of about at least $20.-
五福彩票安卓版下载the rest of the equipment should be well maintained.
the guitar pedal or the preamplifier should be clean for the best possible signal.
Step 3. Re-Amping?
五福彩票安卓版下载There could be moment in time when you’re going to use this technique which is called Re-amping.
a dry recorded signal which is sent to an amplifier to color the sound, which is then recorded.
you will split the signal before the preamp with, for example a volume pedal with two outputs, and with a di (direct instrument) or a re-amp-box.
to record the dry signal separately.
Step 4. Adjusting Settings
五福彩票安卓版下载to make preamp sound good and especially with a tube-preamp. you will need a whole lot of level.
make the preamp work harder by setting it to a lower watt setting and opening up the gain.
but maybe the sound of a lower watt setting with low volume is what you’re looking for?
五福彩票安卓版下载everything depends on the genre of the music being recorded and the role of the guitar.
五福彩票安卓版下载even the choice of guitar can make a world of difference.
五福彩票安卓版下载don’t try to make a metal sound with a 60’s surfing guitar if you know what i’m saying.
五福彩票安卓版下载what kind of effect do you need? a compressed sound with an extra octave or something totally different?
五福彩票安卓版下载it comes down to this: the less you have to do after recording the better. even if your re-amping, choosing the elements before recording can help you out in the end.
Step 5. The Microphone
五福彩票安卓版下载to get the best recording from a preamp you need to generate a lot of static noise.
try to just record the output of a preamp directly into your daw! it won’t be good.
The choices of microphones五福彩票安卓版下载 you can use in front of a preamp are endless. But usually you will get far with a single dynamic microphone.
but when you’re using a dynamic mic you will need to “close mic” the preamp.
a dynamic mic can withstand more pressure than a condenser microphone. if a condenser is too close to the preamp, it can be overdriven giving you a distorted sound.
the placing of a close mic is crucial, the closer you position it to the preamp, the more a slight change of a few mm will affect the sound.
the placing of the mic in front of the speaker drivers is also very important. aiming for the middle gives you a clear sound while aiming for the outer rim will give you a full tone.
五福彩票安卓版下载so the art of this is to get a well balanced sound, by changing to the character that you need.
another trick to find the “sweet spot” is to generate a lot of noise. one is by opening up all knobs. by using a headphone you can place the mic precisely at the spot with the best balance of high and low noise.
another trick is to place the mic with an angle. so that you record the edge as well as the middle of the speaker.
Step 6. Second Microphone
a second mic is usually not needed..
it can be extremely useful to have when mixing.
because you have more sound options at your disposal.
for example, you can add more color and tone.
五福彩票安卓版下载you can choose a different ‘spot’ on the same or another preamp for recording..
…you probably benefit more by placing a room- or ambient microphone..
The reason for this is the same as when you start recording drums.
you try to capture the character of the amplifier in the recording room.
五福彩票安卓版下载which is a fun effect.
五福彩票安卓版下载when placing a mic further away from the preamp, you will get a less direct signal.
…you will get more reflections from the room.
so play with close miking and placing the mic further away, to get the signal that you want.
but when recording from a distance a condenser microphone will be the better choice, because it needs less signal when comparing it to a dynamic mic.
Step 7. Experiment!
If you can achieve五福彩票安卓版下载 a great basic sound by using one or two microphones, then their is nobody who can tell you not to experiment further.
a ribbon mic in front of your preamp can give you a characteristic room- or close-sound!
or a figure of eight microphone behind the preamp (beware of phasing) can pick up early reflections!
or you could plug the line-out of the preamp directly into your interface’s input. (just because it’s grimy sound)
you’re the boss, have fun!!
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