五福彩票安卓版下载

How to Record Bass Guitar In 6 Steps [2018 GUIDE]

Recording Bass GuitarIt’s not hard to record a bass guitar, but there are many ways to do this.

The more you read about well-known producers and engineers, the sooner you find out that there is no absolute truth.

Therefore...

...we can enjoy and have fun with experimenting.

Nevertheless...

...We provide you with a number of tips which can be useful when recording bass guitars.

here are some tips in a step by step order to get you going.

Step 1. The right way to start

Take a good Bass Guitarist五福彩票安卓版下载Be prepared for the situation, prepare yourself, your arrangement as well as the bass itself.

have enough energy!

五福彩票安卓版下载and pay attention to your gear.

五福彩票安卓版下载are the snares in an okay state?

五福彩票安卓版下载is the battery of your di depleted?

tune your bass in the studio!

so you can crosscheck the tuning with other instruments and programs.

Have a set of good manufactured cables and a good preamp without background noise!

Everything needs to be right!!

are you going to play the same notes as the guitar player, or does the bass part have its own arrangement?

does the arrangement need a tight type of playing style or does the song ask for an offbeat type of style?

五福彩票安卓版下载you need to make sure these things are predetermined, so make sure you and the drummer are on the same page.

五福彩票安卓版下载should you play it with a plectrum or with the fingers?

playing with the fingers will give it a more 'round' type of sound, while playing with a plectrum will result in a more direct sound.

don’t go to the recording studio if you still need to practice, all of these things you can figure out before coming in for recording.

Make sure your bass guitar is tuned correctly, but that shouldn't be of question.

Step 2. The Gear

Gear You Need To Record Bass GuitarsSo your bass is finely tuned, that’s very important!

五福彩票安卓版下载but which bass guitar and which preamplifier do you take along?

五福彩票安卓版下载with a clear fender guitar part you might want to add a warmer bass sound.

五福彩票安卓版下载while other basses (like ) have a more sturdy character and won’t be nice to add along a .

if a bass player doesn’t take a preamp along with him, send him back from where he came from!

unless...

五福彩票安卓版下载...you both have decided to only record the di signal and use plugins to emulate a preamp.

you can record your bass by dividing the signal between a bass-preamp and a guitar-preamp.

this will result in a nice 'high' and 'low' signal.

If there's a small tube guitar-preamp in the studio, try putting it next to your 15" bass combo and let it astonish you.

there is a british company called which sales a 15w- and 30w- tube-preamps (especially made for recordings).

Step 3. Choose the best moment

五福彩票安卓版下载many engineers have a strict method when it comes down to the order of recording.

First the drums, then the bass, the guitars and lastly the vocals.

you can decide for yourself which part you want to record first.

but keep in mind...

...the order of the whole track can be of influence.

五福彩票安卓版下载do what feels right.

people like played the bass part after he recorded the drums and their guitar.

because he then could fill in those gaps that left room for some bass innovation.

he would add some melody and rhythm to function as glue for the track.

五福彩票安卓版下载some people feel the drummer and bass player should both be recorded at the same time.

the reason for this is...

...that the vibe is enhanced.

五福彩票安卓版下载 is said to do the same.

五福彩票安卓版下载 had a different view on the subject: he says you shouldn't follow the drummer while recording.

五福彩票安卓版下载instead you should play along with the drummer while both are recorded.

you'll get a more natural sound.

五福彩票安卓版下载another might feel the whole band should play together and be recorded, because of the synergy of the players.

Whatever method you choose, choose the one that fits your needs.

Step 4. Microphones or a DI

you can use different preamps and different basses, but theres more to it.

you can also switch up between microphones and di’s.

a di signal is a clean wide signal, it’s easy to edit and can be 're-amped'.

(re-amping: amping an already recorder signal with a preamplifier)

you can also use the di signal to send to one of your favorite plugins.

this way you are not hindered by the choices of preamps and microphones.

五福彩票安卓版下载native instruments has a plugin called 'guitar rig' which you can also use for your bass.

But there are other options like: Amplitube/IKMultimedia and Ampeg SVX-software.

Besides clean sounding DI’s there are also DI’s that give color to the signal (for example a SansAmp from Tech 2).

五福彩票安卓版下载again, this can be a good or bad thing for your track.

五福彩票安卓版下载investing in a di which ads color can be an expensive investment, but gives a nice and direct bass sound.

(Try using the 'DI output' of your preamp)


Try Using This technique

五福彩票安卓版下载the most used technique by engineers is: recording the lows with a di and recording the character with a microphone.

五福彩票安卓版下载the microphone will record the signal coming from the bass cabinet, this will result in a recorder bass signal and the character of the room.

when you're playing through effects, it's nice to record the acoustic signal through your speakers.

a lot is possible.

you can use all types of microphones when it comes down to recording the bass.

you can use a “bass drum-microphone” like the 'akg d112' to capture very loud signals and a sm57 if it’s very dynamic (most of the time these two are combined).

be aware of phasing, which can result in losing low frequencies

another mic that’s used often is the neumann u47.

五福彩票安卓版下载if you place the mic closely and little next to the cones, you'll get a nice balanced sound.

if you have a too much 'bassy' sound, you can place the microphone further away from the speakers.

Try to use enough gain when recording, better yet: Use the amount of gain your room can handle.

Microphone placement remains an experiment, and it all depends on taste, mic and speaker.

Step 5. Equalizing and Compressing

五福彩票安卓版下载a bass sound can take up a lot of room in the mix and cause problems with other instruments.

A rule of thumb:五福彩票安卓版下载 It doesn’t hurt to cut the frequencies below 100Hz to avoid conflict with the bass drum.

五福彩票安卓版下载you can also cut the frequencies above 10khz, these frequencies are usually just added noise.

五福彩票安卓版下载it's a good thing to know what type of character you want to incorporate into your song.

a bass sound tends to need a lot of room within the mix, so using some kind of compression on the track will make it rounder, tighter and sound warmer.

this type of compression is to handle/maintain and give an instrument, it’s spot within the mix.

五福彩票安卓版下载but it has nothing to do with a master bus compressor, these two techniques and gear are used for two different things.

Step 6. Experiment

after these six steps we can conclude these are the most important, but they are only guidelines. finding the right sound and using the right microphone all depends on your creativity.

you could get a nice result with just a rode nt1.

but that's just one microphone!

What's your preference when recording the bass?

After the drums or even as last instrument?

五福彩票安卓版下载experiment with (virtual) preamps or a combination of different bass- guitar di's.

even using your audio interface instrument input and then sending the signal thru a vst amplifier can even do the trick.


Get creative and experiment, find your sound! Enjoy Folks!

Don't forget to comment and if you like to share this amazing article

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